Vimeo what makes you beautiful one direction

A wise man I once knew no, really! Most of us take a lot of care and spend a lot of time making ourselves look the best we can and even then our experience when standing in front of the mirror is often disappointing.

In a way it always will be, because a mirror can only show us one aspect of our being: what we look like. Otherwise we are like Easter eggs: showy on the outside but disappointingly empty on the inside. And as a bonus, when we take care of our hearts in this way, it will show on the outside! And then think about the faces of Mother Teresa and John Paul II or any other saints who we are fortunate enough to have photos of. Can you spot the difference? Thinking like an apostle.

But what is virtue, and how do we grow in it? There are many virtues, of which modesty is just one. By growing in virtue we become more like the Lord Jesus. So how do we get these virtues? Secondly, God is not going to do it without our co-operation because he has created us free. Of course, you could do this by sticking a pin the Catechism, but there are better ways. Vimeo prided itself as supporting HD video very early on, right out of the gate.

It's crazy to think that this was only years ago, not decades ago. Steve: It was probably , ? I remember there was whole slew of companies that wanted to be the HD YouTube. I could probably name 50 at one point around , Steve: And then Vimeo really owned that space, YouTube eventually brought out HD, but there was definitely a wave there of people jumping on board like, yeah, HD's the thing. Matt F: And it's similar to the landscape we have today, where you have the battle of, just because there's a user-generated content platform to deliver this content, you still need people to create it.

You still need people to generate the content and put it up there for consumption. And then on top of that you need to be able to consume it. So whether that means having hardware capabilities or internet capabilities as a bottleneck to overcome, that's just more and more variability. I think when you compare and contrast it to today's ecosystem, there's a lot of similarities. Matt: Let's talk about 4K. I think most online service providers would cap out at p.

I don't think I've seen anything higher than p, and you're lucky if you get that online today. I feel like most HD, if you're clicking HD you're getting p, maybe you're getting p. Steve: You even have the phone plans now, they define SD as p and under. And they'll try and cap you. It's based on bit rate but they'll try and cap you at the resolution sizes that p is SD and p is HD and I think they don't let you go above that. If you're on one of these unlimited plans where you can turn on the smart video capping or whatever, then yeah.

Matt F: I'm curious as to how big of an issue that could potentially present down the road, where we're not really decoupling bit rate from resolution. And as we strive to lower bit rates and increase resolutions, how that manifests itself from especially a cell phone plan concept. Phil: I actually found in testing something the other day, a British internet service provider that was man-in-the-middling HLS manifests and stripping out higher bit rates.

Phil: I'm not going to name and shame, but it's out there. Steve: Would SSL help there? If you're an internet service provider today and you want to actually deliver HD Phil: Yeah, this is essentially how we found it. We found it because we realized manifest was not behaving the same way over TLS as it was over Clear. Matt: So, we've gotten to p, p. Some people can see it, some people can't. Where does 4K fall into that, in terms of the support spectrum today? What is 4K in your mind, watchable 4K?

Reasonably today, if a website says, "we support 4K", at what point do you say "bullshit", and what point do you say, "yeah, that's legit"? Matt F: Again, I think you have to really look at it from two perspectives. There's the bit rate and then there's the resolution. Anybody can deliver a 4K resolution with very low bit rate and I don't think the viewing experience would benefit from it whatsoever.

The landscape as it exists today is a wide spectrum but narrow usage, I would say. Again going back to the idea that when you look at it from just the p perspective, and when p first came out. It wasn't too long ago when having a p TV was all the rage. It was a big deal to jump up even from p to p, in my opinion, at least. And then the down-scaling factor came in as well when you had p content being down-scaled to the p display, it looked alright as well.

So the landscape today in terms of content is growing, and I think 4K is still in its relative infancy. Once you start seeing more and more content down to the handheld devices, cell phone devices start really pushing more and more 4K video, that really helps drive a lot of the ecosystem as well. But it's end-to-end, it's about the creators and it's about the consumers. But that being said, I think the spectrum, as I've mentioned, just keeps getting wider.

There's people that couldn't download p today in some parts of the world, they're going to have trouble doing that. They'll probably favor a p or even p stream. But there's 2K video out there right now and there's a fair amount of it. There's 4K video out there now and there's growing numbers of that as well.

From an engineer's perspective, it creates more challenges. I think delivery and smart delivery is going to be a challenge that increases over time, especially with the landscape we're in right now. We've only really been talking about television screens and computer screens from this perspective, too. So we can even just start scraping the surface with the idea of VR and spherical video and things like that, where I think the conversation completely stems off into a new direction.

But I think it only continues to validate the need for these high resolutions over time. Matt: Let's talk about why you think this is necessary, and do you think it's necessary in ? Earlier, before we started recording, we were talking about why this is needed. When you say that, do you think this is needed in terms of, as an industry we need to be thinking about this for next year, or is 4K just a gimmick at NAB and IBC in , , and it's not something that we should really care about for consumers?

Or do you think this is something that we need to start worrying about now? Or do you think is is something that we need to start worrying about in ? Do you see what I'm saying? Matt F: Oh absolutely, yeah. I think it's not a deadline-driven investment.

From our perspective and a lot of, and I say people working in the video industry, and even from a consumer's perspective, I wouldn't say there's any deadline. There's no prioritization around it. If it's accessible and it's not expensive, people will flock to it, I don't see why they wouldn't.

But I think we're reaching a new realm where you're going to have those people that will continually argue that having a inch display, which is a relatively large display even in today's standards, you're not going to see any benefit between 4K and 8K, just from a perception perspective. And the argument that anything about 4K requires an inch display, I think looking at it in that perspective is a little bit narrow-minded.

There's a lot of areas, as we've just mentioned, like the whole VR tier that I think that's a huge conversation to have in terms of putting validity behind any of this.

Steve: Just talking about VR as higher resolution itself, because it's essentially just a bigger video. Matt F: Right, I don't think anybody in today's landscape is having absolute jaw-drop factors with spherical video. I think spherical video is great, I think it's a step in a very cool direction. Whenever I look at spherical video and VR integrations with video, I think just from an educational perspective. I couldn't imagine how cool it would be to be in school and have VR integrated into the classroom or something like that.

But there's a lot of other use cases that I think a lot of people ignore, thinking from a content creator's perspective, just because they're filming in 8K doesn't mean they necessarily want people to consume it in 8K.

They can be down-sampled or cropped and edited, which is, I think, a huge benefit from a creator's perspective. To be able to film in 8K and not even have to pan the camera but be able to do that in post, I think is very enabling for editors and directors and content creators.

Steve: How interesting. So they could crop down into the frame, so they have a much wider resolution so they can move the camera around within that wider frame. Matt F: Right. The idea of having more ability to do things in post and keep things as high quality as you expected, I think that's very cool.

And again, an area of interest a lot of people don't necessarily think about when they're on the consumption side of the equation. Phil: It's one of those things that suddenly came up when we talked weeks ago about light field cameras as well, making a lot more decisions in post rather than it really being about high resolution immediately.

It's more about giving the directors and producers and the editors more decisions later down the production chain, and I think we get the same thing here.

That's fine, we're probably going to release it at a 4K max or even a p video online. There's still the question about shareability factor of that content during its creation, and the feasibility of using online tools to do that.

If I had a 4-plus-K video and put it online for my team to all view and put notes on and play back on their home televisions to do test views of it and such, why shouldn't we enable that? Why should the rule be that, oh, it's not worthwhile for the grand audience, so you're just going to have to plug in a hard drive or figure out some kind of high-capacity vast solution for storing your content and playing it back on devices for your unique use case.

From our perspective, I think it would be a little ignorant not to pay attention to it and not to give it the interest that it deserves. But I think the big unanswered question that everybody would ask is, when does it become a reality? And I think that's a tough question to answer.

I think the only concrete date or time or expectation I've really seen around it is the Olympics in Tokyo, which will be broadcast in 8K. Matt F: Now, who can consume that outside of Japan? One of the best scenes comes towards the end, when an art collector sizes up what Marie Olmsted paintings are worthy of being bought. Available to rent on Amazon Video. Citizenfour documents the NSA spying scandal of , concerning Edward Snowden's leak of classified documents around the US's secret surveillance agency, in real time.

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Take 5 minutes to enjoy this gorgeous short film. Dream Ride was named a Staff Pick on Vimeo. You can feel the pride and see their glow in this gut-busting new online campaign from Grip. The campaign is being promoted on social media with the hashtag pizzabump.